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rjv
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#9 kirjoitettu
14.11.2002 20:08
vaikka wdm jo tyhjentävästi totesi niin minä lisäilen.
eli darkstep on tuollaista synkemmänpuoleista fiilistelyä, ei niinkään mättöä aina. esimerkkeinä käyvät vaikka norjalaiset teebee, polar ja future prophecies.
techstep on synkkää ja agressiivista rymistelyä, joka on muuttunut vuosien saatossa tyyleiltään aika radikaalisti. kun alkuaikoina se oli lähinnä kolisevia ameneita ja reesetuuttauksia tyyliin trace ja ed rush, on se myös nykyisin teknoidia naputusta, esimerkkeinä mm. cause 4 concern ja konflict.
tärkeinä biiseinä voisi pitää vaikka tracen sniperia ja mutatedia, sekä ed rushin torqueta.
yhtenä techstepin merkkiteoksena voisi pitää myös ed rushin ja opticalin wormhole-albumia, joka muutti genreä merkittävästi. kun sitä ennen techstep oli lähinnä siis tuuttausta ja kolinaa, toi wormhole esiin uuden suuntauksen, jossa tärkeämpänä oli synkkä äänimaailma ja sofistikoituneet soundit, mutta biitit kuitenkin rullasivat aggressivisina ja bassot vääntyilivät ja kääntyilivät sairaasti, mutta eri tavalla kuin ennen.
jungle on sitten kai yleisesti määriteltynä tuota vanhan koulun juttua. anyhing between the years 91-94.
drum'n'bass on sitten yleiskäsite noille kaikille. ainakin minun mielestäni. onhan noita käsitteitä eri subgenreille ties mitä.
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bze
2682 viestiä
Ylläpitäjä
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#12 kirjoitettu
15.11.2002 13:48
Techstepillä tarkoitetaan nykyään tuota raskasta ja vihaista rumpu och bassoa, darkstep on tuota teknoidimpaa mutta silti tummaa vipellystä.
Sotketaan soppaa ja sanotaan että tuolta dnb:n alta löytyy vielä sellaisiakin juttuja kuin roller, jazznbass, drumnbossa, liquid funk, neurofunk, intelligent jne. Enemmän tosin nimityksiä kuin varsinaisia genrejä. Mutta joo, ihan miten vain.
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RabeTraxx
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#15 kirjoitettu
19.11.2002 09:18
beezee kirjoitti:
Sotketaan soppaa ja sanotaan että tuolta dnb:n alta löytyy vielä sellaisiakin juttuja kuin roller, jazznbass, drumnbossa, liquid funk, neurofunk, intelligent
sekä myös drill'n'bass, ragga, jump-up, bristol, dark jungle...
jep, kyllä niitä alalajeja löytyypi.
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Bluefever
540 viestiä
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#20 kirjoitettu
21.11.2002 13:09
Jou. Löysin netistä PALJON tietoa kaikenmaailman genreistä (piti nyt sitten itsekkin ottaa selvää.)
No joka tapauksessa tekstit on englanniksi (ei ole aikaa suomentaa) mutta oletan, että täällä mikseri.netissä on sen verran kielitaitoista porukkaa, että homma hoituu 
...: Eli :...
TECHSTEP
Tech step is d’n’b with the mean meter turned up to 11. Hard and aggressive, emphasis is paced on extremely fat and nasty basslines that crank and growl. As with all d’n’b, beats and drums are focal and complex. Tempo is often very fast, but does not have to be. “Crisp two step beats. Dark techno, sci-fi influences. Huge bass lines, often having lots of filter effects. Aimed at the dancefloors. 170-180 bpms.
DRILL N' BASS
Experimental DnB/Jungle freakouts where the sound retriggering gets so tight that it sounds like a drill. Extremely fast bpm that presents intensely heavy walls of sound.
SPEED GARAGE
A mix of Garage House and Jungle/D'nB, Speed Garage is a UK urban phenomenon of fairly recent origins. Relegated to "Sunday" nights because London clubs weren't ready to feature this style of music on busy Fridays and Saturdays, the Sunday Scene of "Speedgarage" was born. Armand Van Helden, is generally acknowledged as the originator of the house/d'nb mix but it was in the UK that the style was picked up, spread through underground radio and evolved with artists such as Todd Edwards and Tuff Jam.
BREAKCORE
Breakcore combines elements of industrial techno, gabber, drum 'n bass, and noise. It relies on breakbeats which are then chopped up and distorted to extremes. Notable examples included DJ Scud, Slepcy, Rotator, Somatic Responses and Venetian Snares.
DARKSTEP
Two-step D’n’B with an unhealthy dose of evil. There is little to distinguish Dark Step from Tech Step, except perhaps for Tech Step’s tendency to be a little more sci-fi influenced and aggressively technoid, versus Dark Step’s tendency to be more organic and broodingly evil.
JUNGLE
Jungle evolved from breakbeat and hardcore, and is generally acknowledged to be the predecessor of d’n’b. Speedy breaks, complex rhythms and highly-varied percussion couple with heavy basslines and ragga vocals. Jungle can have a funkier edge to it than d’n’b due to a heavier reliance on traditional breaks. Often, however, the terms are used interchangeably. The current term used to describe this more roots-oriented type of d’n’b is “jump up,” although this may also refer to more danceable takes on this style.
DUB
Like many genres, exactly what can and cannot be considered “dub” is the subject of some debate. According to dubcreator, “Dub is coming from Jamaica, deconstucted tracks ... Dub has some essential things. 1st it comes from Reggae in other words it needs the "Skanks," the piano or guitar chords on the 2nd and 4th count of a bar and the snaredrum on the 3rd as an accent. So it's not when you put some FX on instruments you have DUB. It's a way of using your mixing desk and FX as an instrument.” Messian Dread sums it up, “DUB is remixed reggae. Psychedelically remixed reggae. With loads of echos, instruments dropping in and out.”
BREAKBEAT
With an emphasis on clearly defined percussion and syncopated beats, breakbeat has established itself as one of the major “parent” genres from which many subgenres have spun off. Besides the obvious “Funky Breaks,” Breaks are at the heart of d’n’b, trip hop, much down tempo, illbient, and any other genres that feature groovy, syncopated rhythms. Breakbeat usually features a 4/4 time signature, a snare on 2 and 4, and a tendency to slice up drum loops and rearrange their emphasis (often moving emphasis on and off the third beat). The James Brown/funk influence is often clearly seen in the use of vocal punctuation (“HUNH!”) and the “break” - a point in the track where all elements are suddenly and climactically suspended, followed by a syncopated percussive lead-in or vocal before the other elements resume. While breakbeat is ideal for breakdancing, the syncopation and unusual rhythms can make it difficult for the regular dancefloor crowd.
NU SKOOL BREAKS
Nu Skool Breaks is a form of breakbeat. The term was invented in 1998 when djs adam freeland, rennie pilgrem and tayo played at a new night called "friction" in london. However nowadays many prefer to use the term breakbeat. Back then they played dark and filthy breaks tracks, downpitched drum'n'bass and fresh sounding electro and basically started the scene from scratch. Nowadays producers like ils, koma&bones, tipper, BT and many more are amongst the most profilic producers who push the sound forward. Nu Skool Breaks clocks at 130 - 140 bpm, has a breakbeat rhythm and melts elements of techno, electro, drum'n'bass (basslines mostly) into a danceble, accessible music that has quickly gone round the world.
AMBIENT DRUM N' BASS
Swirly pads, atmospheric soundscapes. Ambient, chill out drum n bass. Not so much for the dance floor as for the headphones. Complex drum programming” (ReKwest, 06/08/00). “This is an offshoot of DnB, created more for the pleasure of listening to than dancing to. Interesting melodies blend with atmospheric pads and ambience on top of artistic drum patterns. Although often conventional, many artists take great strides to create a very unique style with this music. Many artists have incorporated a Dub style into their music as well. This is a calming, often meditative, style of Drum and Bass music and is becoming ever more present in the music scene” (Aois-Dubh, 06/06/00). As these descriptions suggest, Ambient D’n’B is a softer and more subtle take on D’n’B. The bass lines are often less busy and provide an anchor for complex and, usually, very light-sounding drumwork.
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Eli siinä pientä selvitystä kaiken maailman alagenreistä. Eli jos DnB kiinostaa niin Toivottavasti saatte tuosta nyt jotain irti.
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